Fashion's romance with the past and present isn't just an abstract idea, it's something I've lived and breathed through specific pieces, memories, and even the stories I choose to tell through my collections.
Aurelia, my latest collection, draws from one of my deepest loves: the poetry of the past. Inspired in part by the haunting beauty of Miss Havisham from Great Expectations, it began with the vision of a woman suspended in time surrounded by remnants of her world, wrapped in lace and silks that have aged, yet remain heartbreakingly beautiful.
The collection reflects this concept of beauty trapped in stasis, with flowing fabrics that feel ethereal yet worn, and details like frayed edges and antique-inspired embellishments that suggest a story held within every garment.
Designing Aurelia felt like creating a wardrobe for someone who exists between the past and present, fiercely guarding her narrative while embracing the romance of imperfection.
Beyond my collections, my personal love for vintage fashion has been a constant source of inspiration. The details of vintage pieces captivate me the most. A perfectly sewn hemline, intricate embroidery, or the weight of a fabric that feels so different from today's fast fashion - it all speaks to the craftsmanship of the past.
I'm often overwhelmed by a bittersweet sense of longing, as if I'm reaching for something fleeting but enduring at the same time. These pieces remind me that fashion was once slower, more deliberate, and infused with soul.

Krésha Bajaj